Shoo Fly – 9×12 inch acrylic on panel
This piece continues the series of houses in my neighborhood, ones I see every day walking the dog. This one happens to be right across the street from my front door. I embedded a patchwork quilt pattern in the early layers of this one, a reference to the kind of home life that might have been anticipated by any of the people that have ever lived in the house. Shoo Fly is the name of the patchwork pattern.
White Rock Elder 1, 11.5 x 8 inches, watercolor on gessoed rag paper
Here’s another piece done with the same technique as the previous one. It’s all watercolor, even though it doesn’t look like it. It’s the acrylic ground that makes the paint behave so differently.
White Rock Lake is close to my house, and I have in mind a series on the older trees that ring it. This one is the first.
Faded Star – 21×14 inches, gouache and watercolor
I’ve neglected my website and blog even though I’ve been posting on Facebook and Instagram. It’s high time to do a little catching up.
Lately I’ve been doing some water media work where the removal of paint is just as important in the process as putting it on. Faded Star is a good example. The paper support was primed with acrylic gesso before sloshing on a combination of watercolor and gouache paints. Then portions were blotted away to create the image. The gesso and method of applying the paint introduces more unpredictability and encourages intuitive working. Starting with a mess and reacting to it has always been a favorite way of working.
This old oil station is one I encountered on one of the Watercolor Society paintouts. I believe it is located in Jefferson, Texas.
In the month of February I will be in a group show with many of my sketching buddies. It’s being held at the TVAA gallery, 700 N. Pearl, in Dallas. If you happen to be in the area, I would love to see you at the reception on Feb. 3, 2-4.
All of the pieces I will be showing are scenes or details from my neighborhood. Nothing is more than three miles from my house, and most of the subjects were found when I was walking the dog…so they are very close to home.
This watercolor is one of them. I loved the way the prickly pear on this house’s front step melted into the shadows, and the way the shadows of the corner, overhang, and hedge all merged to form one shape.
Invito – 8×8 inch watercolor – NFS
Last blog post I was planning a personal 30×30 challenge and here are the results. The intent was to experiment with watermedia every day, and I did a little of that, but mostly I ended up with studies for things I intend to paint again in a more considered way – those are the suburban landscapes.
The ones that are more experimental are numbers 11, 12, 15, 16, 17, and 19. There is a lot to consider in them about what worked, what didn’t, and why. Experiments are heaps of fun because they are done purely for the experience. If they end up being worth presentation, that is a rare bonus. Usually they suffer from “too muchness”. Too bright, too design-y, too incoherent, too unresolved. However, they are excellent dress rehearsals for do-overs that can take me in a bit of a different direction.
I always struggle with color because I always seem to end up going overboard even though I want to keep the color subtle. #18 and #23 are the closest to the way I want to use color right now. I’m glad that a few got close to the mark!
Number 10 has about the right amount of looseness. That is another difficult target.
There were a couple of do-overs within the 30 because I just couldn’t walk away from a motif when I missed the mark. And the one figure piece because that was the only watermedia I had worked on that day. It was included even though it didn’t really fit with the rest. Even the food court still life has more in common with the landscapes than the figure.
Putting them all together like this really helps in evaluating the individual pieces. I have got to get a wall in the studio fixed up soon so that I can view things side by side in real life!
This is another of the little waterfalls surrounded by Japanese maples in the Dallas Arboretum. The trees have started their springtime explosion of color while the sky and background still have their moody and somber winter look. This is an optimistic painting of renewal.
Garden Falls – 6×6 inch oil on panel, $108 plus $10 shipping and handling
Available for purchase through my Daily Paintworks gallery.
In the Dallas Arboretum there is a stream that runs downhill amid a little forest of Japanese maples, with many little drop offs where the water falls. The “spring” in the title of this painting doesn’t refer to a spring of water, but to the season when this was painted – some vibrant green water plants had made their appearance, but the maples are still wearing the greys and browns of winter.
Garden Spring – 8×6 inch oil on panel $144 plus $10 shipping and handling.
Available to purchase from my Daily Paintworks gallery.
This is a recently completed acrylic piece. It was significantly reworked from its initial state, which gave it its name. I’m pleased that this one has been juried into the TVAA’s upcoming show, Abstracted Redacted, which will run from May 1 – 31 at their Plaza of the Americas gallery in Dallas. Thanks to juror Jenny Keller.
Second Thoughts – 12×9 inches, acrylic on panel
This is a new one, fresh off the easel, so I’m pretty excited about it and think I will do some more pavements. Not sure yet how the titles for these will be themed, but I’m pretty sure the name for this one will stick.
Wait – 8×8 inch acrylic on panel $165 plus $10 shipping and handling
Available for purchase through my Daily Paintworks Gallery – click here
This is another view of the Japanese Maple falls and pond at the arboretum. It would be easy to mistake the bright spring color of the maples for autumn.
Garden Falls – 6×6 inches, acrylic and oil on panel