Tomorrow I am going to start another 30 paintings in 30 days challenge. I’ve played along on a couple of these in the past, when another artist has announced a challenge and invited other people to participate. They were both really good experiences that advanced my work, and I’m glad I did them. The last one was in November of 2016, so it was almost a year ago.
So lately I have been in a bit of a rut and thought I would give myself a personal challenge. The parameters are pretty broad – the paintings just need to be watermedia. Watercolor, gouache, acrylic, ink, mixed media, whatever.
To get a little jump start, I’ve prepared some paper and panel supports. I really like starting with a surface that already has some color or marks on it for several reasons:
…I paint more loosely than when I start with a pristine white surface. This is probably related to the blank page paralysis that many people experience.
…a base tone with some texture to it gives me something to react to.
…colored paper for midtones with dark and white chalks is a classic drawing technique and a way of thinking that helps me organize my compositions.
I’m excited to get started. I have some new materials and heaps of ideas to try during the 30 days.
This is another of the little waterfalls surrounded by Japanese maples in the Dallas Arboretum. The trees have started their springtime explosion of color while the sky and background still have their moody and somber winter look. This is an optimistic painting of renewal.
Garden Falls – 6×6 inch oil on panel, $108 plus $10 shipping and handling
Available for purchase through my Daily Paintworks gallery.
This was a warm-up for the plein air session in my last post. The subject was a heuchera that had just come home from the garden center. This variety is called “Champagne”, so I’m going with that for a title. I love the colors in these leaves – they emerge a combination of pale orange and magenta, and age to a subtle green and buff.
Champagne – 6×6 inches, acrylic and gouache on panel SOLD