This is another of the paintings based on old homes in Big Bend. I was lucky to have visited the Homer Wilson Ranch location at a time of day when the shadows made a strong graphic statement. The strong geometric shapes of the voids in the walls made this view irresistible to me.
Wilson Circle and Square – 12×12 inches, $380
This is another of the old residences within Big Bend National Park. I’m particularly pleased with the quiet, subdued colors in this one.
Dorgan House Window – 10×14 inch watercolor and gouache on gessoed paper. $308
This is a corner of one of the adobe farmhouses that are still standing (more or less) in Big Bend National Park. It’s the first in a projected series that has as it’s theme the contrast between the right angles and geometry of man-made structures and the shapes of the surrounding landscape. A right angle, regardless of how eroded it is, makes me think of the person who must have made it, and what it might have been like to be that person in that place. As I envision the series, they will all be based on historic structures in Big Bend.
Adobe Corner – 14 x 11 inches, watercolor on gessoed paper, $308.00
Another piece is headed for a very good home. This one is probably the most Wyeth-like of any of the little suburban landscapes, and is a particular favorite of mine.
Fontaine Verte, 8×8 inch acrylic – SOLD
I painted this piece specifically for the Southwest Watercolor Society’s fundraiser. When asked to contribute a painting, I was concerned that my usual non-descript subjects in quiet colors wouldn’t generate a lot of auction action. Big Tex was the answer. He kept me true to my “painting local” theme, and also fit right in with my developing interest in signage. I did liven up my usual color palette to make this a happy piece. It raised a respectable amount for the society in the auction. Thank you to the buyer! Tex will now be hanging in a gorgeous home, and I’m honored for him to be there.
Big Tex Says Howdy – gouache on paper – SOLD
The Southwestern Watercolor Society’s fall paintout was held in Gainesville this year. I did a few small plein air paintings and also did an on site sketch of their restored movie theater. This painting was done in the studio, using the sketch and some photographs for reference.
The making of this painting was documented as a tip on the Society’s website. If you’re interested in my painting process for these, you can read about it here.
The Gainesville State, 14×11, watercolor and gouache on gessoed paper
It seems like half of the old theaters in Texas are named “Texas” or “Texan”. There are two wonderful old theaters in Kilgore. One of them, of course, is called the Texan. I wanted to choose an angle that also showed the downtown oil rigs…and questioned that decision every time I had to repaint them.T
The Kilgore Texan – 10 x 20 inches, watercolor and gouache on paper
So far my theater paintings have been at least partly gouache. This one, however, was done with watercolor only, using a wipe out technique. I really like working in a reductive way, so that the paint I take off is just as important as the paint I leave on.
This theater had a Zumba poster on the marquee. I’m not sure whether it is out of use or if they really hold Zumba classes inside.
The Garland Plaza – 18 1/2 x 11 inches, watercolor and gouache on gessoed archival paper
Another of the theater paintings. In this one I concentrated the saturated color in a small area of the sign, and let the rest dissolve into neutrals. This theater is still in use in Garland, Texas.
The Daingerfield Morris – 14×10 inches, watercolor and gouache on rag paper.
This is the start of a new series – old classic movie theaters. They are interesting to me for a number of reasons:
First, they are relics of a time when our community had more shared experiences than we do now; they are places where some of that sharing actually happened. The current show might have been an action film, and you might have preferred comedies, but you would go anyway because it was the entertainment being offered and everyone would be talking about it until the next show opened.
Second, I’m getting interested in signage and letterforms, and how little specific visual information is required to communicate because the shapes are so recognizable.
Third, the buildings are so highly stylized, and the ones that have not been restored have wonderful texture. When I shot the photo reference for this piece, I thought maybe the theater had been closed. However, the internet says no – they are still showing films here at the Morris.
The first theater I painted was in my sketchbook. This is actually the second one, but it is the first full size painting.