Last blog post I was planning a personal 30×30 challenge and here are the results. The intent was to experiment with watermedia every day, and I did a little of that, but mostly I ended up with studies for things I intend to paint again in a more considered way – those are the suburban landscapes.
The ones that are more experimental are numbers 11, 12, 15, 16, 17, and 19. There is a lot to consider in them about what worked, what didn’t, and why. Experiments are heaps of fun because they are done purely for the experience. If they end up being worth presentation, that is a rare bonus. Usually they suffer from “too muchness”. Too bright, too design-y, too incoherent, too unresolved. However, they are excellent dress rehearsals for do-overs that can take me in a bit of a different direction.
I always struggle with color because I always seem to end up going overboard even though I want to keep the color subtle. #18 and #23 are the closest to the way I want to use color right now. I’m glad that a few got close to the mark!
Number 10 has about the right amount of looseness. That is another difficult target.
There were a couple of do-overs within the 30 because I just couldn’t walk away from a motif when I missed the mark. And the one figure piece because that was the only watermedia I had worked on that day. It was included even though it didn’t really fit with the rest. Even the food court still life has more in common with the landscapes than the figure.
Putting them all together like this really helps in evaluating the individual pieces. I have got to get a wall in the studio fixed up soon so that I can view things side by side in real life!
This is a recently completed acrylic piece. It was significantly reworked from its initial state, which gave it its name. I’m pleased that this one has been juried into the TVAA’s upcoming show, Abstracted Redacted, which will run from May 1 – 31 at their Plaza of the Americas gallery in Dallas. Thanks to juror Jenny Keller.
Second Thoughts – 12×9 inches, acrylic on panel
This is a new one, fresh off the easel, so I’m pretty excited about it and think I will do some more pavements. Not sure yet how the titles for these will be themed, but I’m pretty sure the name for this one will stick.
Wait – 8×8 inch acrylic on panel $165 plus $10 shipping and handling
Available for purchase through my Daily Paintworks Gallery – click here
This is another view of the Japanese Maple falls and pond at the arboretum. It would be easy to mistake the bright spring color of the maples for autumn.
Garden Falls – 6×6 inches, acrylic and oil on panel
The title of this painting doesn’t suggest a fantasy landscape. It’s a real place, and Enchanted Rock is its real name.
Enchanted Rock – 6×6 inch acrylic and oil on panel.
This is a little waterfall in the Dallas Arboretum that is surrounded by Japanese maples. I wanted to bring out the vital freshness of the new spring growth in those water plants. They glowed.
Garden Spring – 6 x 8 inch acrylic and oil on panel
I was honored to be invited to participate in the exhibition “View from the Art Village 50-Year Retrospective” at the Beatrice M. Haggerty Gallery. The show was curated by Nancy Cohen Israel and celebrates 50 years of the Braniff Graduate School at the University of Dallas. I received my graduate degrees at UD and am thankful for the program as well as the opportunity to exhibit there again after all these years.
I’ll be showing this little acrylic piece.
Snow White – 4.5 x 7 inches, acrylic on paper
This is closer to my current usual subject matter: typical suburban landscapes. I noticed this birdhouse with the winter tree branch pattern when walking the dog early one morning. At that time the house was empty.
I like my results when I come at shapes kind of sideways, either by removing paint or by negative painting, rather than painting them directly. In both cases, forms are revealed incidentally when the shapes around them are defined. In this painting, it’s the empty space of the sky holes that received the heaviest application of paint. It may not show well in the photo, but in real life it’s the abstract empty spaces that seem to advance.
Vacation Home – 8×8 inches, acrylic and oil on panel.
Another one of the little landscapes. This is another of those “spontaneous” landscapes. I kind of think the spontenaity is in the way the paints arrange themselves, not in me. I can’t help but see things I recognize in the shapes the water and paint make.
In the Shade – 6×6 inches, acrylic and oil. $108 plus $10 shipping and handling.
Available to buy through my Daily Paintworks shop.
Lately I have been working on some little landscapes using acrylic and water soluble oils. They really are little – this one is only 5×7 inches. Acrylic is great for establishing a base painting with lots of watery flow. Then a layer of the oil was sloshed on and the painting completed by wiping out, scratching, or stippling away the paint from the lighter areas.
This particular one is what I have seen called a “spontaneous” landscape. Developing it was a lot like seeing castles and animals in clouds – the way the paint settled and arranged itself suggested the landscape forms. So the scene does not exactly exist anywhere but is certainly based on my experience of walking along dirt roads when the grass is crispy and dry, as it so often is in the middle of our country.
Dry Grass – 5×7 inches, acrylic and oil – SOLD