Two more out for exhibition. Geisterhaus is another one of the “dogwalk” landscapes – scenes that are within walking distance of my house.
The second painting, “Points of Interest” is a part of the pavement series of paintings that I have slowly been working on.
I’m pleased that they were accepted into the Irving Art Association’s membership show.
This show at the TVAA gallery recently concluded. The work came from members of my sketch group. We showed some of the work we have done on location during our weekly get-togethers, but primarily our studio work.
Here’s a portion of the statement I wrote for this show:
For this exhibition, Robyn has chosen paintings that depict the landscape and details of infrastructure in the East Dallas neighborhood where she lives. The sources of these paintings are all located within three miles of her home.
By purposely focusing on views that are insignificant in themselves, she avoids appeals to emotion and
sentimentality. Instead, in this mundane subject matter she finds poetry of light and geometry that elicits a meditative sense of timelessness and calm.
These paintings were all created in her studio, but Robyn is also active as a plein air painter, enjoying the exercise of her observational skills by working directly from life. It was this interest in working on location that led her to the Urban Sketching movement and the friends that form her weekly sketch group.
I am very honored that Das Beschneiden was juried into the Texas National by Jed Perl. This is distinguished company indeed!
Last blog post I was planning a personal 30×30 challenge and here are the results. The intent was to experiment with watermedia every day, and I did a little of that, but mostly I ended up with studies for things I intend to paint again in a more considered way – those are the suburban landscapes.
The ones that are more experimental are numbers 11, 12, 15, 16, 17, and 19. There is a lot to consider in them about what worked, what didn’t, and why. Experiments are heaps of fun because they are done purely for the experience. If they end up being worth presentation, that is a rare bonus. Usually they suffer from “too muchness”. Too bright, too design-y, too incoherent, too unresolved. However, they are excellent dress rehearsals for do-overs that can take me in a bit of a different direction.
I always struggle with color because I always seem to end up going overboard even though I want to keep the color subtle. #18 and #23 are the closest to the way I want to use color right now. I’m glad that a few got close to the mark!
Number 10 has about the right amount of looseness. That is another difficult target.
There were a couple of do-overs within the 30 because I just couldn’t walk away from a motif when I missed the mark. And the one figure piece because that was the only watermedia I had worked on that day. It was included even though it didn’t really fit with the rest. Even the food court still life has more in common with the landscapes than the figure.
Putting them all together like this really helps in evaluating the individual pieces. I have got to get a wall in the studio fixed up soon so that I can view things side by side in real life!
This is a recently completed acrylic piece. It was significantly reworked from its initial state, which gave it its name. I’m pleased that this one has been juried into the TVAA’s upcoming show, Abstracted Redacted, which will run from May 1 – 31 at their Plaza of the Americas gallery in Dallas. Thanks to juror Jenny Keller.
Second Thoughts – 12×9 inches, acrylic on panel
This is a new one, fresh off the easel, so I’m pretty excited about it and think I will do some more pavements. Not sure yet how the titles for these will be themed, but I’m pretty sure the name for this one will stick.
Wait – 8×8 inch acrylic on panel $165 plus $10 shipping and handling
Available for purchase through my Daily Paintworks Gallery – click here
This is another view of the Japanese Maple falls and pond at the arboretum. It would be easy to mistake the bright spring color of the maples for autumn.
Garden Falls – 6×6 inches, acrylic and oil on panel
The title of this painting doesn’t suggest a fantasy landscape. It’s a real place, and Enchanted Rock is its real name.
Enchanted Rock – 6×6 inch acrylic and oil on panel.
This is a little waterfall in the Dallas Arboretum that is surrounded by Japanese maples. I wanted to bring out the vital freshness of the new spring growth in those water plants. They glowed.
Garden Spring – 6 x 8 inch acrylic and oil on panel
I was honored to be invited to participate in the exhibition “View from the Art Village 50-Year Retrospective” at the Beatrice M. Haggerty Gallery. The show was curated by Nancy Cohen Israel and celebrates 50 years of the Braniff Graduate School at the University of Dallas. I received my graduate degrees at UD and am thankful for the program as well as the opportunity to exhibit there again after all these years.
I’ll be showing this little acrylic piece.
Snow White – 4.5 x 7 inches, acrylic on paper